How to Sing Better - Hint #4
Love Your Tape Recorder
by Kent Borrowdale
New 1/21/04
Every Barbershopper should own a tape recorder. It
can be a casette or even some of these new disk or
solid state recorders that use MP3 format and can
up- and download to a computer. It needs to be easy
to use and must accurately reply the pitch of the
tones you sing into it. Unless you find an expensive
machine with a manual recording level control, you
will get Automatic Volume Control (AVC). Expect to
pay perhaps $100 for a good Soni or Radio Shack
casette recorder.
Test the pitch sensitivity by recording several tones
using your pitchpipe. Then play it back while you are
blowing those pitches. You should hear no difference
or "wow" between the pitches. Fresh batteries make
a big difference. I bought a plug-in power supply
with mine, which I use for all recording. The pitch
is very stable.
Use your new recorder as a learning tool. With the
recorder and your pitchpipe in a quiet place, sing
your part to a song you are learning into it. When
you play it back, test it along the way with the
pitchpipe. Note where you go sharp or flat. Continue
to record over your song until you can sing it exactly
on pitch all the way through at the speed you are
going to perform it. It may take several, or even many
tries. You will derive two benefits from this:
1. You will have a learning tape you can listen to
in the car or other places that will be accurate; and
2. By the time you have a good tape, you will have
pretty well learned the song!
Take your recorder to Chorus practice regularly.
Hold it in your lap if you are singing sitting down.
Hold it in your hand in front of you if you are on
the risers. Ask your director to let you know when
he (she) will be singing a song completely through.
Use that time for taping. (You'll be surprised
how much better the chorus performs when a tape recorder
is running.) You can also tape difficult parts and
spend time perfecting those parts.
Take the tape home and listen to yourself in the
chorus. Learn from it by fixing your wrong notes
and timing. Next, listen to your pitch in relation
to others in your section. Are you flat? Are you
sharp. (Is it you or those no-talent guys that are
all around you?)
Once you've done that, (it may take several weeks of
taping and analysis) listen carefully to your vowels
in different ranges. Start adjusting them to blend in
better with the chorus. While inexpensive recorders
have small speakers, they generally do a pretty good
recording job. Listen to the results on your home
or car systems. You'll hear where you're at odds with
the other people in your section.
Encourage others to buy recorders and use them regularly
in chorus practice. You'll find the group sings better
and they will be learning music easier and faster.
How to Sing Better - Hint #3
Ten minutes a day for better singing
by Kent Borrowdale
New 3/19/02
Every Barbershopper should own a pitchpipe. You can
find them at District Conventions in the Barbershopper's
Shop. You can also order them through Harmony Marketplace.
The price in both cases is $19.95, but you'll have to
pay shipping if you order it on line. (Make sure you
get an F - F pitchpipe.)
Here's how to use a pitchpipe to help you sing and
tune better:
1. Blow a note, for example, a low "F". Keeping the
pitchpipe in your lips, hum that exact tone.
At first, you will find it really hard. The closer
you get to the tone, the less "wow" you'll hear. You
can feel it as well as hear it.
2. Do that same exercise with other notes. You'll
have better success starting with "F", going up to
"C". As the tones get higher, you'll need to be more
precise.
3. Blow a note, listen to it carefully, then "ooo"
that exact tone. Check yourself with the pitchpipe.
Don't allow any scooping.
4. Blow a note, such as "A". Hum five tones down the
scale (D) and hum into the pitchpipe. If it is
tuned, there won't be any "wow". Try it with other
pitches. Tenors: try pitches above the pitch
note.
5. Sing your part to a song with the pitchpipe in
your hand. When you come to the end of a phrase, blow
the keynote of the song. [Don't try to blow other
tones . . . the pitchpipe uses a tempered scale.]
Are you still in tune? Did you flat? (Especially
valuable for leads.) Keep working on it until you
can sing an entire song without flatting or sharping.
Put the song on tape and then listen to it, checking
with the pitchpipe. It will help you determine where
you go flat or sharp.
How to Sing Better - Hint #2
Two minutes a day for better singing
by Kent Borrowdale
New 3/19/02
Very few people have perfect pitch. But all of us can
improve our pitch memory and tonal accuracy.
Here's what I do, and my dentist recommends it:
If you already don't have one, buy a Sonicare Toothbrush.
With two brushes and the charger stand, it's about
$100.00. Sometimes you can find them on special.
Use it at least every morning and hum with it. The
electric element vibrates in your mouth at 262 cycles
per second. That's very close to Middle C, which
is defined on the tempered scale as 261.63 cycles per
second. The element is crystal controlled, so it's
always accurate. It also has a timer that produces a
pulsed tone at 30, 60 and 90 seconds. It shuts off
after two minutes.
1. Hum the tone exactly while you are pressing the
bristles lightly against your molars. Experience what
it feels like when you intentionally go flat or sharp
a little bit.
2. Hum a low C, exactly matching the tone. Then hum
up the scale, carefully listening to the intervals,
taking time to tune each one.
3. Hum above middle C. Carefully tune each interval.
You'll know when you are right, because you'll feel the
overtones that you are producing.
4. If you have problems "scooping" notes, hum detached
notes. Listen carefully and come in right on the tone.
5. Hum a tune in the key of C. (Try Mandy)
It's impossible to go flat with that tonal center in
your mouth!
As an added benefit, you'll have better teeth and gums.
Happy brushing!
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